Engros- Olja Måleriet Reproducering , Nej Minimum!

 
 

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Walter Crane

English Golden Age Illustrator, 1845-1915

Måleriet identifieringen::  28025
Diana och Endymion
1883 Olja på segelduk 55.2 x 78.1cm (21 3/4 x 30 3/4 i) McManus Galleri Dundee (mk63)
English Golden Age Illustrator, 1845-1915 Titta min galleri i Sverige
 
 
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Walter Crane Diana and Endymion oil painting reproduction

   
 

 

 
   
      


Måleriet identifieringen::  29892
Diana och Endymion
mk67 Olja på segelduk 57 1/16x107 1/16in Pitti.Meridiana
1518-1594 Titta min galleri i Sverige
 
 
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Jacopo Tintoretto Diana and Endymion oil painting reproduction

   
 

 

 
   
      

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Jerome-Martin Langlois

French Academic Painter, 1779-1838

Måleriet identifieringen::  44047
Diana and Endymion
Oil on canvas, 318 x 211 cm
French Academic Painter, 1779-1838 Titta min galleri i Sverige
 
 
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Jerome-Martin Langlois Diana and Endymion oil painting reproduction

   
 

 

 
   
      

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Pier Francesco Mola

(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.

Måleriet identifieringen::  80732
Diana and Endymion
Date ca. 1660(1660) Medium Oil on canvas cjr
(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi. Titta min galleri i Sverige
 
 
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Pier Francesco Mola Diana and Endymion oil painting reproduction

   
 

 

 
   
      

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Pier Francesco Mola

(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.

Måleriet identifieringen::  84916
Diana and Endymion
. 1660(1660) Medium Oil on canvas cyf
(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi. Titta min galleri i Sverige
 
 
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Pier Francesco Mola Diana and Endymion oil painting reproduction

   
 

 

 
   
      

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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

Måleriet identifieringen::  87107
Diana and Endymion
1636(1636) Medium Oil on wood Dimensions 28.6 x 26.6 cm (11.3 x 10.5 in) cyf
Flemish Baroque Era Painter, 1577-1640 Titta min galleri i Sverige
 
 
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Peter Paul Rubens Diana and Endymion oil painting reproduction

   
 

 

 
   
      

Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640
Diana and Endymion

        
 
   
 

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